The Anti-White Bias of the Motion Picture Industry

Discussion in 'DVD Video' started by D2Zabcdef@googlemail.com, Jul 7, 2008.

  1. Guest

    A recent, perhaps trivial, example of this kind of intellectual ethnic
    warfare is the popular movie Addams Family Values (released in
    November 1993), produced by Scott Rudin (jewish), directed by Barry
    Sonnenfeld (jewish), and written by Paul Rudnick (jewish).

    The bad guys in the movie are virtually anyone with blond hair (the
    exception being an overweight child), and the good guys include two
    Jewish children wearing yarmulkes. (Indeed, having blond hair is
    viewed as a pathology, so that when the dark-haired Addams baby
    temporarily becomes blond, there is a family crisis.)

    The featured Jewish child has dark hair, ears glasses, and is
    physically frail and nonathletic. He often makes precociously
    intelligent comments, and he is severely punished by the blond-haired
    counselors for reading a highly intellectual book. The evil gentile
    children are the opposite: blond, athletic, and unintellectual.

    Together with other assorted dark-haired children from a variety of
    ethnic backgrounds and white gentile children rejected by their peers
    (for being overweight, etc.), the Jewish boy and the Addams family
    children lead a very violent movement that succeeds in destroying the
    blond enemy.

    The movie is a parable illustrating the general thrust of Jewish
    intellectual and political activity relating to immigration and
    multiculturalism in Western societies. It is also consistent with the
    general thrust of Hollywood movies.

    Powers, Rothman and Rothman (1996, 207) characterize television as
    promoting liberal, cosmopolitan values, and Lichter, Lichter and
    Rothman (1994, 251) find that television portrays cultural pluralism
    in positive terms and as easily achieved apart from the activities of
    a few ignorant or bigoted miscreants.

    Excerpt of: The Culture of Critique: An Evolutionary Analysis of
    Jewish Involvement in Twentieth-Century Intellectual and Political
    Movements By Kevin MacDonald

    http://www.csulb.edu/~kmacd/books-Preface.html
    http://www.prometheism.net/library/CultureOfCritique.pdf
    http://www.amazon.com/Culture-Critique-Evolutionary-Twentieth-Century-Intellectual/dp/0759672229

    http://www.natall.com/who-rules-america
    www.davidduke.com
    www.stormfront.org
    www.vnnforum.com
    www.goyfire.com
    www.thephora.org
    www.iamthewitness.com
    , Jul 7, 2008
    #1
    1. Advertising

  2. Guest

    On Jul 7, 12:42 pm, wrote:
    > A recent, perhaps trivial, example of this kind of intellectual ethnic
    > warfare is the popular movie Addams Family Values (released in
    > November 1993), produced by Scott Rudin (jewish), directed by Barry
    > Sonnenfeld (jewish), and written by Paul Rudnick (jewish).
    >
    > The bad guys in the movie are virtually anyone with blond hair (the
    > exception being an overweight child), and the good guys include two
    > Jewish children wearing yarmulkes. (Indeed, having blond hair is
    > viewed as a pathology, so that when the dark-haired Addams baby
    > temporarily becomes blond, there is a family crisis.)
    >
    > The featured Jewish child has dark hair, ears glasses, and is
    > physically frail and nonathletic. He often makes precociously
    > intelligent comments, and he is severely punished by the blond-haired
    > counselors for reading a highly intellectual book. The evil gentile
    > children are the opposite: blond, athletic, and unintellectual.
    >
    > Together with other assorted dark-haired children from a variety of
    > ethnic backgrounds and white gentile children rejected by their peers
    > (for being overweight, etc.), the Jewish boy and the Addams family
    > children lead a very violent movement that succeeds in destroying the
    > blond enemy.
    >
    > The movie is a parable illustrating the general thrust of Jewish
    > intellectual and political activity relating to immigration and
    > multiculturalism in Western societies. It is also consistent with the
    > general thrust of Hollywood movies.
    >
    > Powers, Rothman and Rothman (1996, 207) characterize television as
    > promoting liberal, cosmopolitan values, and Lichter, Lichter and
    > Rothman (1994, 251) find that television portrays cultural pluralism
    > in positive terms and as easily achieved apart from the activities of
    > a few ignorant or bigoted miscreants.
    >
    > Excerpt of: The Culture of Critique: An Evolutionary Analysis of
    > Jewish Involvement in Twentieth-Century Intellectual and Political
    > Movements By Kevin MacDonald
    >
    > http://www.csulb.edu/~kmacd/books-P...lture-Critique-Evolutionary-Twentieth-Century...
    >
    > http://www.natall.com/who-rules-ame...fire.comwww.thephora.orgwww.iamthewitness.com


    1993 is recent? the addams family?
    But like, Brad Pitt.
    Or the majority of heroes being white guys.
    Or the number of movies now with white women heroines who can kick
    ass.
    Or....whoops talking to a wall. How silly of me.
    , Jul 8, 2008
    #2
    1. Advertising

  3. On Mon, 7 Jul 2008 03:42:51 -0700 (PDT), wrote:

    >A recent, perhaps trivial, example of this kind of intellectual ethnic
    >warfare is the popular movie Addams Family Values



    You're a goddamned retarded twit.
    StickThatInYourPipeAndSmokeIt, Jul 9, 2008
    #3
  4. On Tue, 8 Jul 2008 07:53:21 -0700 (PDT), wrote:

    >1993 is recent? the addams family?
    >But like, Brad Pitt.
    >Or the majority of heroes being white guys.
    >Or the number of movies now with white women heroines who can kick
    >ass.
    >Or....whoops talking to a wall. How silly of me.



    Could it have anything to do with the FACT that the majority of film
    makers, writers, directors CASTING directors, etc. Are white?

    Yeah, you are one silly mother fucker alright.
    StickThatInYourPipeAndSmokeIt, Jul 9, 2008
    #4
  5. Guest

    On 9 Juli, 01:20, StickThatInYourPipeAndSmokeIt
    <> wrote:
    > On Tue, 8 Jul 2008 07:53:21 -0700 (PDT), wrote:
    > >1993 is recent? the addams family?
    > >But like, Brad Pitt.
    > >Or the majority of heroes being white guys.
    > >Or the number of movies now with white women heroines who can kick
    > >ass.
    > >Or....whoops talking to a wall. How silly of me.

    >
    > Could it have anything to do with the FACT that the majority of film
    > makers, writers, directors CASTING directors, etc. Are white?
    >
    > Yeah, you are one silly mother fucker alright.


    Not sure who 'you' is. Read the OP, then read mine
    then aim....
    , Jul 9, 2008
    #5
  6. chazwin Guest

    You are missing the real problem with Hollywood.
    For decades all the bad guys have English accents, whilst the good
    guys have American accents.

    Cite: Spartacus, Ben Hur, Die Hard. To name but 3.
    chazwin, Jul 11, 2008
    #6
  7. Reddragonf66 Guest

    On 11 jul, 17:46, chazwin <> wrote:
    > You are missing the real problem with Hollywood.
    > For decades all the bad guys have English accents, whilst the good
    > guys have American accents.
    >
    > Cite: Spartacus, Ben Hur, Die Hard. To name but 3.


    well you learn real good motherfucker englishin
    thesemoviesdirtyharryrulez
    Reddragonf66, Jul 11, 2008
    #7
  8. Reddragonf66 Guest

    On 11 jul, 18:38, Reddragonf66 <> wrote:
    > On 11 jul, 17:46, chazwin <> wrote:
    >
    > > You are missing the real problem with Hollywood.
    > > For decades all the bad guys have English accents, whilst the good
    > > guys have American accents.

    >
    > > Cite: Spartacus, Ben Hur, Die Hard. To name but 3.

    >
    > well you learn real good motherfucker englishin
    > thesemoviesdirtyharryrulez

    well holywood scum are verry suspisious
    Reddragonf66, Jul 11, 2008
    #8
  9. chazwin Guest

    On Jul 11, 5:38 pm, Reddragonf66 <> wrote:
    > On 11 jul, 17:46, chazwin <> wrote:
    >
    > > You are missing the real problem with Hollywood.
    > > For decades all the bad guys have English accents, whilst the good
    > > guys have American accents.

    >
    > > Cite: Spartacus, Ben Hur, Die Hard. To name but 3.

    >
    > well you learn real good motherfucker englishin
    > thesemoviesdirtyharryrulez


    My, my how erudite and coherent of you to say so.
    chazwin, Jul 11, 2008
    #9
  10. Guest

    On 11 Juli, 17:46, chazwin <> wrote:
    > You are missing the real problem with Hollywood.
    > For decades all the bad guys have English accents, whilst the good
    > guys have American accents.
    >
    > Cite: Spartacus, Ben Hur, Die Hard. To name but 3.


    No the real bad guys are of course Germans. But then I noticed that a
    lot of Germans are played by Swedes. So my sense is that the more
    liberal (than american and EU powerhouse) Germans are being besmirched
    by Hollywood for the masses and the (considered) socialist Swedes are
    being subliminally besmirched for the intelligentia.
    , Jul 12, 2008
    #10
  11. On Fri, 11 Jul 2008 08:46:59 -0700 (PDT), chazwin <>
    wrote:

    >You are missing the real problem with Hollywood.
    >For decades all the bad guys have English accents, whilst the good
    >guys have American accents.
    >
    >Cite: Spartacus, Ben Hur, Die Hard. To name but 3.



    The Sting. Luther didn't have an accent. Luther was pushed out a
    window. There were 20 blacks (perfectly acceptable) at least in that
    film.
    StickThatInYourPipeAndSmokeIt, Jul 12, 2008
    #11
  12. chazwin Guest

    On Jul 12, 12:47 am, wrote:
    > On 11 Juli, 17:46, chazwin <> wrote:
    >
    > > You are missing the real problem with Hollywood.
    > > For decades all the bad guys have English accents, whilst the good
    > > guys have American accents.

    >
    > > Cite: Spartacus, Ben Hur, Die Hard. To name but 3.

    >
    > No the real bad guys are of course Germans. But then I noticed that a
    > lot of Germans are played by Swedes. So my sense is that the more
    > liberal (than american and EU powerhouse) Germans are being besmirched
    > by Hollywood for the masses and the (considered) socialist Swedes are
    > being subliminally besmirched for the intelligentia.


    The point I was making is that Romans always have British accents,
    whilst their combatants are usually American. Often you find a Brit
    being cast as a villain for no other reason than the accent fits.
    Germans who are German characters is a slightly different case but
    sort of goes to express a point that I am making. Germans are the evil
    British. Another example that springs to mind is Robin Hood Prince of
    theives, ALL the baddies speak with a British accents whilst ALL the
    inhabitants of the Greenwood : Robin , Scarlet, Tuck, Marrian - even
    the moor played by Morgan Freeman all speak with American accents
    without exception. This has to be intentional.
    chazwin, Jul 12, 2008
    #12
  13. Guest

    On 12 Juli, 13:30, chazwin <> wrote:
    > On Jul 12, 12:47 am, wrote:
    >
    > > On 11 Juli, 17:46, chazwin <> wrote:

    >
    > > > You are missing the real problem with Hollywood.
    > > > For decades all the bad guys have English accents, whilst the good
    > > > guys have American accents.

    >
    > > > Cite: Spartacus, Ben Hur, Die Hard. To name but 3.

    >
    > > No the real bad guys are of course Germans. But then I noticed that a
    > > lot of Germans are played by Swedes. So my sense is that the more
    > > liberal (than american and EU powerhouse) Germans are being besmirched
    > > by Hollywood for the masses and the (considered) socialist Swedes are
    > > being subliminally besmirched for the intelligentia.

    >
    > The point I was making is that Romans always have British accents,
    > whilst their combatants are usually American. Often you find a Brit
    > being cast as a villain for no other reason than the accent fits.
    > Germans who are German characters is a slightly different case but
    > sort of goes to express a point that I am making. Germans are the evil
    > British. Another example that springs to mind is Robin Hood Prince of
    > theives, ALL the baddies speak with a British accents whilst ALL the
    > inhabitants of the Greenwood : Robin , Scarlet, Tuck, Marrian - even
    > the moor played by Morgan Freeman all speak with American accents
    > without exception. This has to be intentional.


    I do think you have a point but two of mine

    1) often terrorists have German accents and are never identified
    beyond many clues that they are European. These also are often played
    by Swedes.
    2) this English bad guy thing is a class issue. I doubt that many of
    the bad guys have cockney accents. American producers are hooking
    into the British system where their are already existing codes for
    those who have often been seen to think they are better than others.
    In fact a way of moving up is via accent. This is true to some degree
    in the US, but I would hesitate to say the difference is in accent.
    In the US it is more grammar, lack of slang, enunciation, etc. This
    is of course also true in England, but there is a heavy cue in the
    accent.

    If one steps back for a moment, one might decide that it has less to
    do with America good, England bad, but rather an appropriation of a
    code that makes it easier to root for certain accents to get a
    comeuppance.
    , Jul 13, 2008
    #13
  14. chazwin Guest

    On Jul 13, 2:05 am, wrote:
    > On 12 Juli, 13:30, chazwin <> wrote:
    >
    >
    >
    > > On Jul 12, 12:47 am, wrote:

    >
    > > > On 11 Juli, 17:46, chazwin <> wrote:

    >
    > > > > You are missing the real problem with Hollywood.
    > > > > For decades all the bad guys have English accents, whilst the good
    > > > > guys have American accents.

    >
    > > > > Cite: Spartacus, Ben Hur, Die Hard. To name but 3.

    >
    > > > No the real bad guys are of course Germans. But then I noticed that a
    > > > lot of Germans are played by Swedes. So my sense is that the more
    > > > liberal (than american and EU powerhouse) Germans are being besmirched
    > > > by Hollywood for the masses and the (considered) socialist Swedes are
    > > > being subliminally besmirched for the intelligentia.

    >
    > > The point I was making is that Romans always have British accents,
    > > whilst their combatants are usually American. Often you find a Brit
    > > being cast as a villain for no other reason than the accent fits.
    > > Germans who are German characters is a slightly different case but
    > > sort of goes to express a point that I am making. Germans are the evil
    > > British. Another example that springs to mind is Robin Hood Prince of
    > > theives, ALL the baddies speak with a British accents whilst ALL the
    > > inhabitants of the Greenwood : Robin , Scarlet, Tuck, Marrian - even
    > > the moor played by Morgan Freeman all speak with American accents
    > > without exception. This has to be intentional.

    >
    > I do think you have a point but two of mine
    >
    > 1) often terrorists have German accents and are never identified
    > beyond many clues that they are European. These also are often played
    > by Swedes.
    > 2) this English bad guy thing is a class issue. I doubt that many of
    > the bad guys have cockney accents. American producers are hooking
    > into the British system where their are already existing codes for
    > those who have often been seen to think they are better than others.
    > In fact a way of moving up is via accent. This is true to some degree
    > in the US, but I would hesitate to say the difference is in accent.
    > In the US it is more grammar, lack of slang, enunciation, etc. This
    > is of course also true in England, but there is a heavy cue in the
    > accent.
    >
    > If one steps back for a moment, one might decide that it has less to
    > do with America good, England bad, but rather an appropriation of a
    > code that makes it easier to root for certain accents to get a
    > comeuppance.


    I can't thin kof any German accent examples except the obvious ones -
    AS Germans in a WW2 scenario. There is the "Hitcher" with Rutger
    Hauer.

    But let me offer you another massive example of US good Guy UK bad
    guy: Start Wars.
    Peter Cushing as Grand Moff Tarkin. Darth Vader's voice was also
    excised of americanisms
    chazwin, Jul 13, 2008
    #14
    1. Advertising

Want to reply to this thread or ask your own question?

It takes just 2 minutes to sign up (and it's free!). Just click the sign up button to choose a username and then you can ask your own questions on the forum.
Similar Threads
  1. Big_Orange
    Replies:
    37
    Views:
    1,441
    W.K.M.
    May 29, 2004
  2. Replies:
    7
    Views:
    632
  3. DVD Verdict
    Replies:
    0
    Views:
    743
    DVD Verdict
    Jan 6, 2005
  4. Goro
    Replies:
    18
    Views:
    1,074
    Vinella
    Feb 25, 2006
  5. Replies:
    0
    Views:
    740
Loading...

Share This Page