[A complimentary Cc of this posting was sent to
John W. Krahn
<>], who wrote in article <JmQRk.408$>:
> > Hmm, all navel researches I saw were done in (super?) 35mm;
> Maybe you are thinking of Super 8 (8mm)?
Nope, in the years I was using Super 8, navels were not the tops on my
priority lists.
For 35mm, see, e.g.,
http://www.imdb.com/title/tt0114134/technical
> > never in (15-sprocket) IMAX format.
>
> AFAIK IMAX is in 70mm, but I don't know how many sprockets the projector
> has, or if that matters.
With 70mm, the stuff is tricky. First, it is 65mm when shot, 70mm
when projected. Then the usual mess strikes: how you put the actual
frames on a strip of film[*].
In fact, the mess is much nicer than with 35mm film. IIRC, during
last 40 or so years, mostly two formats were used: 65/15sprockets
(=IMAX), and 65/5sprockets. (One is 3times larger than the other! [**])
This is the same difference as landscape/portrait printing: on one
film travels vertically, so you need to fit width of frame into 65mm -
performation, and on another film travels horizontally, so you fit the
height of the frame.
Yours,
Ilya
[*] For 35mm, yesterday I found these gems:
http://www.cinematography.net/edited...mFor_11.85.htm
http://www.arri.de/infodown/cam/ti/format_guide.pdf
[**] I expect that for most applications, current digicams (e.g.,
Red One) exceed capacities of 65/5 [***]. However, 65/15 at
60fps should be significantly better than what Red One gives.
I think one must have something like 4K x 3K x 3ccd x 48fps to
get a comparable experience. (Which led to bandwidth I
mentioned before.
[***] On the other hand, this calculation is based on interpolation
from digital photos. With photos, the very high extinction
resolution of the film does not enter the equation (since eye
does not care about *extinction* resolution, only about
noise-limited resolution - one where S/N ratio drops below
about 3 - and digital has an order of magnitude better noise).
But with movies, eye averages out the noise very effectively;
so the higher extinction resolution of film may have some
relevance... Do not think I saw it investigated anywhere; I
may want to create some digital simulations...
On the gripping hand, some people in the film industry believe
that HD video (2K x 1K) is comparable to (digitized) Super 35,
and this ratio is quite similar to what one gets from photos.
With photos, the best-processed color 36mm x 24mm is
approximately equivalent in resolution to a digital shot
rescaled down to 4 or 5MPix (only that the digital shot would
have practically no noise).