On Thu, 13 May 2010 19:23:43 -0500, BFD <> wrote:
>On Thu, 13 May 2010 23:09:16 +0100, Bruce <> wrote:
>>On Thu, 13 May 2010 15:50:11 -0500, BFD <> wrote:
>>>
>>>I do understand the need for control of DOF. The identical DOF effects can
>>>be obtained from a smaller sensor by just changing the focal-length used.
>>
>>
>>Nonsense. Changing the angle of view would completely ruin the shot.
>>You really are a fool - you have not the faintest idea what you are
>>talking about.
>
>Every shot of every subject is relative--to itself only. It is you who are
>the antiquated fool.
>
>You see a patch of flowers. To you, with your very limited DOF using a 50mm
>lens on a larger sensor camera, you will decide to get up close to that
>flower. You will get dozens of other blossoms and probably part of the sky
>in the background too with your wide FOV. How do you get rid of all those
>other distracting blotches of bright colors detracting from your subject
>and the blue of the sky which you don't even want?
Sorry, I don't shoot flowers. My job is shooting people. And using a
longer focal length means a narrower angle of view, which means
stepping back to a more remote viewpoint, which means an unflattering
rendition of the person's features.
This doesn't affect flowers in the same way. I agree that there is no
reason why you cannot use a longer focal length to shoot flowers on s
smaller format, as there are fewer conventional expectations of flower
shots than there are of portraits.
So, to come back to the original question, the reason why "full frame"
digital is so desirable is that it gives the same control over depth
of field that 35mm film does. Any sensor size smaller than "full
frame" (or 35mm film) gives too much depth of field. If there were
very wide aperture lenses available in the smaller formats it would
help, but the widest aperture lenses are those available for 35mm
film/full frame digital.
Of course portraiture was traditionally done with formats much larger
than 35mm. However, small apertures were needed to provide about the
same depth of field as a conventional portrait lens delivers somewhere
near wide open on 35mm film. The amount of depth of field is the
critical factor here, and small formats provide far too much depth of
field for good portraiture.
Which neatly answers the question, and takes us back to where we
started.