"PaddleHard" <> wrote in message
news:1a33659d-2812-4009-8f3c-...
On May 4, 9:18 am, George Kerby <ghost_top...@hotmail.com> wrote:
> On 5/4/10 7:51 AM, in article hrp58h$pd...@news.eternal-september.org,
> "Tim
>
>
>
> Conway" <tconway_...@comcast.net> wrote:
>
> > "gumby" <gu...@here.com> wrote in message
> >news:hro2v9$bed$...
> >> On 03/05/2010 2:43 PM, PaddleHard wrote:
> >>> Hello group,
>
> >>> I'm doing some research on buying some lighting equipment for studio
> >>> portraits. There's a ton of gear out there and it's all pretty
> >>> confusing. As I push through some books/vids, I thought I'd ask the
> >>> experts: what's a good way to start with doing some simple portraits?
> >>> I would be taking this on location or setup at home with a background
> >>> (probably white).
>
> >> A window and a large piece of white cardboard to reflect light back
> >> into
> >> the shadow side of the face. Cheap and effective and natural light is
> >> preferable to me than man-made light.
>
> > I agree. The north side of the house is best.
>
> Well, I guess it wouldn't cost too much for the OP to cut out a picture
> window in his living room and have his subjects, mostly strangers, come to
> his home for a sitting, eh?
>
> I do not agree...
>Might be cheaper to buy lights. Might.
If you do, I definitely go the flash & umbrella or softbox route instead of
tungsten lights. Clients generally prefer the flashes rather than sitting
under the hot lights.
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