David J Taylor wrote:
> Gary Eickmeier wrote:
>> "David J Taylor"
>> <david-> wrote in
>> message news
Wxmk.38677$ om...
>>> Gary Eickmeier wrote:
>>> []
>>>> Now you're getting the idea. Video cameras have been made with live
>>>> view, full color EVFs forever. You can compose, adjust exposure and
>>>> white balance, and see exactly what is going onto tape before you
>>>> shoot. Think of the convergence of still and video cameras. No more
>>>> mirror slap. No more frozen moments in time. We'll shoot one or two
>>>> or three second clips instead of just one frame. Or, if memory gets
>>>> favorable enough, full video, from which stills can be grabbed as
>>>> desired.
>>>> GAry Eickmeier
>>> ... but the resolution is much less - 720 x 576 pixels for PAL video.
>>> 0.4MP. With a modern still camera we're talking 15 times the
>>> resolution, call it 4 times linear, needing a /much/ better
>>> viewfinder.
>> I guess you're not able to imagine it getting any better.
>>
>> Gary Eickmeier
>
> I would love to use better quality EVFs, but the fact remains that the one
> manufacturer who offered VGA resolution in an EVF took (less even than PAL
> video) it off the market very quickly. Why? Was it too expensive, too
> power-hungry, too big, or simply something which the market didn't want?
> You might have thought of them as a trail-blazer, but why did the trail
> peter out?
>
> David
The only reason which I can think of why the Konica-Minolta Dimage A2
wasn't developed with increasingly better EVFs (in an A3 and then maybe
an A4) is that the Canon Digital Rebel (EOS 300D) lurked at the same
price-point.
For around US $1,000 you could either get a DSLR camera with
interchangeable lenses in the form of an EOS 300D, or for slightly more
a Dimage A2 which had a grainy (compared to any DSLR viewfinder) EVF and
a fixed zoom lens.
Which would you buy if they were both sitting side-by-side on the camera
shop shelf?
It's a rhetorical question, the 300D was a massive rip-roaring success
compared to the Dimage A2.
Konica-Minolta probably also struck the dilemma of making the Dimage
A2's successor (the less than stellar A200) less capable or risk
cannibalising sales from their first DSLR camera: the Maxxum 7D.