Don Stauffer in Minnesota wrote:
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> I'd say snr is equally important to MTF. In military electronic
> cameras the SNR and MTF were the two big performance issues we would
> analyze. A very sharp imagine system (high mtf) will still not give
> very good results with a poor snr. In fact, if the camera system has
> too low an snr, it becomes very hard to even measure the mtf properly.
>
> Fortunately, current digicams (at least visible light ones) seem to
> generally have pretty good snr. Not like the old thermal IR cameras
> we dealt with
Don,
It sounds as if we have dealt with quite similar things in the past! We
used a technique of taking a four-bar target at a particular contrast
(delta-T) and spatial frequency, and applying /all/ the MTF and noise
factors to that (atmosphere, lens, sensor, processing, display, eye/brain)
and working out the SNR on the retina. Subjective tests showed what
actual observers could achieve in terms of subject recognition with a
given SNR and spatial frequency. Their capabilities were quite
surprising, in a similar way to how experienced bird-spotters can tell a
bird type when all the casual observer can tell is the colour!
Quite how you relate this to image quality in digital cameras I am not
sure, but I completely agree that both MTF and SNR are important. My
guess is that one should use targets of varying contrast (and ideally sine
wave targets), and measure the SNR within a specified spatial frequency
range (rather than just broadband noise). Perhaps something like an
octave of noise centred on the spatial frequency being tested (I suspect
the 1/3 octave of audio may be too fine).
Nice subject for someone's PhD?
Cheers,
David