Annika1980 <> wrote in news:d0d23e5a-1692-4121-9161-
:
> You mentioned earlier about how the D3 gets most of its low-noise
> performance via software in the camera.
Well, what I said was that it looks even better than it is to many
people, because of the NR. That doesn't mean that it isn't very good to
begin with, because it is. The D3 is superior, RAW-IQ-wise to all Canons
except the 1Dsmk3 (at all ISOs, but especially at low ISO) and the 1Dsmk3
at low ISOs in the shadows, because of their higher resolution.
> What if Canon came out with a 48MP body that was really just a 16MP
> body that had its files up-rezzed to 48MP? You know, kinda like Sigma
> does with its silly ads where they multiply the true res by 3.
> Imagine what the pundits would say. People would crucify Canon in the
> press, claiming that it was just a marketing gimmick meant to up the
> ante in the MP race.
That isn't a fitting analogy, though, because NR is not equivalent to
reducing resolution. NR can still allow a sharpened edge to register at
any pixel column or row; an upscaled image can not.
> But when Nikon does the same thing with its aggressive NR, nobody says
> a peep. They get all giddy because now they can shoot stuff in the
> dark at 15000 ISO or something. But we all know it's just trickery.
No, it's not just trickery. The D3 really has moved up into the top
range of noise performance. The NR, however, has people making strange
statements like "the D3 is a couple stops ahead of all other DSLRs".
Even many of the most famous experts on photography don't realize that
they see digital as an "artist's rendition" through RAW conversion. Film
was always RAW right through to the print; there was no layer of
deception.
Canon is going to lose a lot of customers because they are an arrogant
company that is out of touch with what people want. They need a wider
range of NR options in their camera JPEGs if they're going to compete in
a world where people obviously like cartoonish output from their cameras,
and this can be done without sacrificing the integrity of RAW or
excluding more natural looking renditions as an option.
--
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John P Sheehy <>
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