Velocity Reviews - Computer Hardware Reviews

Velocity Reviews > Newsgroups > Computing > Digital Photography > Color prints

Reply
Thread Tools

Color prints

 
 
Jack
Guest
Posts: n/a
 
      09-22-2005
Hi
I have a problem with color management on photoshopCS.
I have the color setting on the Canon 20D set to sRGB as I do mostly people
photography that I send to regular color labs.
My Lab does a great job when printing direct from the camera.

However pictures that I adjust in ps (photoshop) come out flat.
It's really frustrating after spending hours getting a picture just "right"
The color space setting I have on my computer/ps is sRGB IEC61966-2.1
Should it be Adobe RGB 1998?
I have tried it but when I use it I get "color space change warnings".

Do I use a general purpose color setting or is a "prepress" setting better
for color prints from modern labs?

Can you please help?

Best wishes


 
Reply With Quote
 
 
 
 
Dieter Mayr
Guest
Posts: n/a
 
      09-22-2005
"Jack" <> schrieb im Newsbeitrag
news:dgua4i$5n9$...
> Hi
> I have a problem with color management on photoshopCS.
> I have the color setting on the Canon 20D set to sRGB as I do mostly

people
> photography that I send to regular color labs.
> My Lab does a great job when printing direct from the camera.
>
> However pictures that I adjust in ps (photoshop) come out flat.
> It's really frustrating after spending hours getting a picture just

"right"
> The color space setting I have on my computer/ps is sRGB IEC61966-2.1
> Should it be Adobe RGB 1998?
> I have tried it but when I use it I get "color space change warnings".
>
> Do I use a general purpose color setting or is a "prepress" setting

better
> for color prints from modern labs?
>
> Can you please help?
>
> Best wishes
>


Jack, did you calibrate (at least with a tool like AdobeGamma, better
with
a hardware solution) your monitor ?
Workingcolorspace sRGB is ok when you have set your camera to sRGB, too
I dont know what u mean with "prepress setting", but i think your
problem
is your monitor setting.
You can make a simple test : open a image in PS,
and save it without adjustments.
Then give the original and the saved version to your lab,
both should be the same.

HTH
Dieter


 
Reply With Quote
 
 
 
 
Gregory Blank
Guest
Posts: n/a
 
      09-22-2005
In article <dgua4i$5n9$>,
"Jack" <> wrote:

> Hi
> I have a problem with color management on photoshopCS.
> I have the color setting on the Canon 20D set to sRGB as I do mostly people
> photography that I send to regular color labs.
> My Lab does a great job when printing direct from the camera.
>
> However pictures that I adjust in ps (photoshop) come out flat.
> It's really frustrating after spending hours getting a picture just "right"
> The color space setting I have on my computer/ps is sRGB IEC61966-2.1
> Should it be Adobe RGB 1998?
> I have tried it but when I use it I get "color space change warnings".
>
> Do I use a general purpose color setting or is a "prepress" setting better
> for color prints from modern labs?
>
> Can you please help?
>
> Best wishes


So your shooting jpegs? Adobe 1998 is good profile if your shooting Raw
for print media and perhaps Lambda-Lightjet print as well. <This is from
my experience>. So if your shooting jpegs and taking your files to a
Walmart or other mini lab the sRGB is the profile of choice (So you are
correct for that).

As for the flat color there are a number of ways in PS to get better
results, that is if the lab manages their end of it consistently.
Personally I am almost to the point of say why bother with running
across town, and I am about ready to buy a higher quality Inkjet. Too
much dinking around at my expense & on my time. In any event, you can
adjust the black and white points in PS- Levels and that should give you
more contrast which is what your lacking, what you see on screen is not
what may be correct for the lab and thats the simple reality. Ask the
lab if they have a profile of choice or a calibration file they can give
you, realizing you may get "Blank stares " Also realize that is just
the beginning of the calibration process to their system. At a better
prolab you may be able to give them an Inkjet for reference for those
big 100 or 1,000 print jobs Hope it helps.

--
LF Website @ http://members.verizon.net/~gregoryblank

"To announce that there must be no criticism of the President,
or that we are to stand by the President, right or wrong,
is not only unpatriotic and servile, but is morally treasonable
to the American public."--Theodore Roosevelt, May 7, 1918
 
Reply With Quote
 
Jack
Guest
Posts: n/a
 
      09-22-2005
Thanks for your replies. However I feel that it's not a monitor issue as I
am using spyder color software, besides I have this problem when I only
adjust the levels (density) lighter and darker.
I also, use the "info" display rather then pure visual.
It seems to be a contrast problem rather then a color question.

Thanks

"Gregory Blank" <greg@greg_____photo.com> wrote in message
news:greg-...
> In article <dgua4i$5n9$>,
> "Jack" <> wrote:
>
> > Hi
> > I have a problem with color management on photoshopCS.
> > I have the color setting on the Canon 20D set to sRGB as I do mostly

people
> > photography that I send to regular color labs.
> > My Lab does a great job when printing direct from the camera.
> >
> > However pictures that I adjust in ps (photoshop) come out flat.
> > It's really frustrating after spending hours getting a picture just

"right"
> > The color space setting I have on my computer/ps is sRGB IEC61966-2.1
> > Should it be Adobe RGB 1998?
> > I have tried it but when I use it I get "color space change warnings".
> >
> > Do I use a general purpose color setting or is a "prepress" setting

better
> > for color prints from modern labs?
> >
> > Can you please help?
> >
> > Best wishes

>
> So your shooting jpegs? Adobe 1998 is good profile if your shooting Raw
> for print media and perhaps Lambda-Lightjet print as well. <This is from
> my experience>. So if your shooting jpegs and taking your files to a
> Walmart or other mini lab the sRGB is the profile of choice (So you are
> correct for that).
>
> As for the flat color there are a number of ways in PS to get better
> results, that is if the lab manages their end of it consistently.
> Personally I am almost to the point of say why bother with running
> across town, and I am about ready to buy a higher quality Inkjet. Too
> much dinking around at my expense & on my time. In any event, you can
> adjust the black and white points in PS- Levels and that should give you
> more contrast which is what your lacking, what you see on screen is not
> what may be correct for the lab and thats the simple reality. Ask the
> lab if they have a profile of choice or a calibration file they can give
> you, realizing you may get "Blank stares " Also realize that is just
> the beginning of the calibration process to their system. At a better
> prolab you may be able to give them an Inkjet for reference for those
> big 100 or 1,000 print jobs Hope it helps.
>




 
Reply With Quote
 
Richard Kettlewell
Guest
Posts: n/a
 
      09-22-2005
"Dieter Mayr" <> writes:
> Jack, did you calibrate (at least with a tool like AdobeGamma,
> better with a hardware solution) your monitor ?


Last time I tried to use my iBook's monitor calibration tool my greys
came out brown, so I went back to the defaults and turned the
brightness down a little (several people having complained that some
of my pictures were hopelessly dark on their screens).

Probably I should try again some time, but meanwhile what sort of
thing did you have in mind as a hardware solution here?

--
http://www.greenend.org.uk/rjk/
 
Reply With Quote
 
Roger N. Clark (change username to rnclark)
Guest
Posts: n/a
 
      09-23-2005
Jack wrote:

> Thanks for your replies. However I feel that it's not a monitor issue as I
> am using spyder color software, besides I have this problem when I only
> adjust the levels (density) lighter and darker.
> I also, use the "info" display rather then pure visual.
> It seems to be a contrast problem rather then a color question.


What are you using to adjust "the levels (density) lighter and darker?"
This could be part of your problem. In photoshop only use
the actual levels tool, or curves tool. Never use the
brightness/contrast tool. Brightness/contrast is an additive tool.
Curves is multiplicative, which is what you want. Levels is
subtractive (low end) and multiply upper end. You can increase
contrast with the curves tool making the 45 degree line slightly
S-shaped (down a little near the low end; up a little at the
bright end).

Roger
 
Reply With Quote
 
Dieter Mayr
Guest
Posts: n/a
 
      09-23-2005

"Richard Kettlewell" <> schrieb im Newsbeitrag

> Probably I should try again some time, but meanwhile what sort of
> thing did you have in mind as a hardware solution here?
>


Richard

I had a colorimeter solution in mind, like Monaco's Spider or
dl-c's Profile Mechanic

Dieter


 
Reply With Quote
 
Dirty Harry
Guest
Posts: n/a
 
      09-23-2005

"Jack" <> wrote in message
news:dgua4i$5n9$...
> Hi
> I have a problem with color management on photoshopCS.
> I have the color setting on the Canon 20D set to sRGB as I do mostly

people
> photography that I send to regular color labs.
> My Lab does a great job when printing direct from the camera.
>
> However pictures that I adjust in ps (photoshop) come out flat.
> It's really frustrating after spending hours getting a picture just

"right"
> The color space setting I have on my computer/ps is sRGB IEC61966-2.1
> Should it be Adobe RGB 1998?
> I have tried it but when I use it I get "color space change warnings".
>
> Do I use a general purpose color setting or is a "prepress" setting better
> for color prints from modern labs?
>
> Can you please help?
>
> Best wishes


Try this, take one of those "flat" prints and copy it to the clipboard.
Create a new doccument and paste it. See what happens.


 
Reply With Quote
 
Richard Kettlewell
Guest
Posts: n/a
 
      09-23-2005
"Dieter Mayr" <> writes:
> "Richard Kettlewell" <> schrieb im Newsbeitrag


>> Probably I should try again some time, but meanwhile what sort of
>> thing did you have in mind as a hardware solution here?

>
> Richard
>
> I had a colorimeter solution in mind, like Monaco's Spider or
> dl-c's Profile Mechanic


Thanks - I'll look into it.

--
http://www.greenend.org.uk/rjk/
 
Reply With Quote
 
 
 
Reply

Thread Tools

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are On
Pingbacks are On
Refbacks are Off


Similar Threads
Thread Thread Starter Forum Replies Last Post
Changing font color from current font color to black color Kamaljeet Saini Ruby 0 02-13-2009 04:58 PM
Durability of inkjet prints, photo prints Bill Tuthill Digital Photography 45 05-02-2004 03:04 AM
Just recieved my 15 free digital prints from Kellards- Amazing Quality Prints! Bruce Digital Photography 5 12-29-2003 02:49 AM
Why the prints from film feel more 3D then prints from digital. Victor81 Digital Photography 35 12-12-2003 07:49 AM
Epson 1280 prints NOT Waterproof, 2200 prints ARE, Right? Dr. Slick Digital Photography 12 11-29-2003 10:19 AM



Advertisments
 



1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57