On 3/30/05 10:31 PM, in article
npCdnVJFVaa04NbfRVn-,
"Sheldon" <> wrote:
>
> "Scott W" <> wrote in message
> news: ups.com...
>> I did not see this mentioned yet, in raw data there is only one 12 bit
>> value for each pixel, when this is converted into color data there now
>> needs to be three values for each pixel, even if these values are only
>> 8 bits you now are storing 24 bits for each pixel where you were
>> storing 12 before, now it you are using 16 bits / color, this jumps to
>> 48 bits per/pixel or 4 time the space for the raw data, add to that
>> some losselss compression in the raw file and you have a large increase
>> when saving to tiff.
>>
>> Scott
>
> Okay, now I don't get it. Compression is compression. If you compress a
> file it has to come back to it's original size so you can see it. How does
> a RAW file act as a lossless compression without changing anything when you
> open and close it? I thought a tiff file was "no" compression at all. Does
> RAW have more to do with the file coming straight from the camera with
> little or no changing of the file in the camera, regardless of settings?
>
>
It is possible to compress a file on a lossless (no-loss) basis. An example
of this is in Photoshop when you save as a Tiff you are presented with a
second dialog box that lets you select, among others, LZW compression. If
you choose LZW the file compresses without loss. A similar thing happens
with raw files. When these files are opened they open back to their true
size.