Mike wrote:
> I'm interested in using my 10D for some macro pictures but I am confused
> about which lens to get. I admit I don't understand much about macro -
> never
> having tried it before. I'd like to get a decent lens for this because I
> can
> use it for portrait work.
>
> Basically, I'd like to know about the ratios that are often quoted
> alongside
> these lenses. What does 0.5x or 1:1 actually mean? I'm considering the
> Canon
> 100mm 2.8 USM because everything I've read is good. I'm not sure how
> useful
> it would be as a portrait lens though because it's quite long and there's
> the multiplier factor to consider as well. The 50mm macros I've seen seem
> to
> quote a 0.5x - does that mean it's inferior for macro work (but more
> useful
> for portrait)?
>
> Thanks for any help - macro really us uncharted territory for me, although
> I
> consider myself fairly clued up in other areas
A "true" macro will reproduce a life size image on the recording media.
On film that means a one inch bug will appear to be exactly one inch long on
the negative. That is 1:1 ratio At a 1:2 or 0.5X, the bug would be ½ inch
long on the negative. Many "macro" lenses need a extension which may or may
not come with the lens to active the full 1:1.
Digital does not come into play here as they are taking about the size
of the image on the media so a 1:1 image on a 8X10 negative will be the same
size, but include a subject area of 8X10 inches as a 35 mm camera image buy
the 35mm image will not cover as much area and you digital may cover even
less.
Next thing to think about is the fact that there appears to be no legal
definition of "macro" so you will find some manufacturers using the term
loosely to refer to anything that may take a close up. Zoom lenses with the
ability to focus reasonably close are often called macro, especially if they
have a special setting to allow them to focus close. They may not focus
close enough to get anywhere near life size 1:1.
Also worth noting is that most true macro lenses are very sharp at
normal distances and have been optimized for close work so they are
outstanding at those distances. They also are usually corrected for a very
flat field so when you are copying something flat like a stamp it will be
sharp from the center to the edge, most lenses will not do that if you add
extension tubes or close up lenses to focus that close.
Good Luck
--
Joseph E. Meehan
26 + 6 = 1 It's Irish Math