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DVD Video - Ghosts of the Abyss aspect ratio |
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#1 |
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Did anyone see this in an Imax screening? Most Imax movies have a 4:3
aspect ratio, but the DVD for this one is 16:9. A disclaimer before the movie states: "This film has been significantly altered from its original 3D presentation. Many images have been reformated for 2D viewing." I don't know whether that alteration just means the switch from 3D to 2D or whether Cameron has reframed the shots for home video as well. Joshua Zyber |
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#2 |
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Joshua Zyber wrote:
> Did anyone see this in an Imax screening? Most Imax movies have a 4:3 > aspect ratio, but the DVD for this one is 16:9. > > A disclaimer before the movie states: "This film has been significantly > altered from its original 3D presentation. Many images have been > reformated for 2D viewing." I don't know whether that alteration just > means the switch from 3D to 2D or whether Cameron has reframed the shots > for home video as well. I can't honestly claim that I remember the AR from my showing (I was way too close to the screen to be able to comfortably see the edges and the framing), but this _Hollywood Reporter_ interview with Cameron suggests that the film was indeed released to IMAX theatres in 1.78:1... --------------------------------------------------------------------------- THR: How does the HD look blown up to 15-perf/70mm? Cameron: It looks phenomenal. To say we're wildly enthusiastic would not be overstating it. One has to bear in mind, though, that it's a 16:9 aspect ratio, so it doesn't fill the entire height of the Imax screen. It chops off a bit at the top and bottom... <http://www.hollywoodreporter.com/thr/article_display.jsp?vnu_content_id=1486697> --------------------------------------------------------------------------- HTH, doug -- "I can't see the lines I used to think I could read between..." --Brian Eno Douglas Bailey |
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#3 |
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All I Know is I am annoyed that it has not been released in 3d.
-- Tim Pace Elite Mortgage Solutions LTD. Tim Pace |
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#4 |
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"Tim Pace" <> wrote in message
news:ldvhc.1304$. .. > All I Know is I am annoyed that it has not been released in 3d. Can you play Region 2 NTSC discs? http://www.cdjapan.co.jp/detailview.html?KEY=GNBF-1027 Joshua Zyber |
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#5 |
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"Douglas Bailey" <> wrote in message
news:... > I can't honestly claim that I remember the AR from my showing (I was way > too close to the screen to be able to comfortably see the edges and the > framing), but this _Hollywood Reporter_ interview with Cameron suggests > that the film was indeed released to IMAX theatres in 1.78:1... Thanks, Doug. Answers my question perfectly. Joshua Zyber |
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#6 |
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Joshua Zyber wrote:
> "Douglas Bailey" <> wrote in message > news:... >> I can't honestly claim that I remember the AR from my showing (I was >> way too close to the screen to be able to comfortably see the edges >> and the framing), but this _Hollywood Reporter_ interview with >> Cameron suggests that the film was indeed released to IMAX theatres >> in 1.78:1... > > Thanks, Doug. Answers my question perfectly. But then again it was 4:3 in my local IMAX -- ThePunisher ThePunisher |
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#7 |
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Joshua Zyber, says...
> Did anyone see this in an Imax screening? Most Imax movies have a 4:3 > aspect ratio, but the DVD for this one is 16:9. Joshua, I worked on Ghosts of the Abyss. Most of it was shot with HD cameras (kind of hard to get an IMAX camera in a Remote Operated Vehicle - not to mention needing TWO of them for the stereo effect). The entire post production process was done in HD video, then the video was uprezzed to IMAX resolution, and filmed out letterboxed in the 4:3 IMAX frame. The conversion from 3D to 2D is simply using only a single camera's viewpoint, rather than the two camera stereo effect. That didn't have an impact on the aspect ratio. You might be interested to know that James Cameron is planning on shooting an entire dramatic 3D feature in the same process, using HD cameras in stereo. -Mark Mark Spatny |
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#8 |
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Yes I can play NTSCT and thanks for the link I wanted a LCD shutter version
this sounds like an anaglyph version as glasses are supplied. I wonder if the switching version is on the DVD ? -- Tim Pace Elite Mortgage Solutions LTD. Tim Pace |
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#9 |
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"Mark Spatny" <> wrote in message
news: k.net... > I worked on Ghosts of the Abyss. Most of it was shot with HD cameras > (kind of hard to get an IMAX camera in a Remote Operated Vehicle - not > to mention needing TWO of them for the stereo effect). The entire post > production process was done in HD video, then the video was uprezzed to > IMAX resolution, and filmed out letterboxed in the 4:3 IMAX frame. > > The conversion from 3D to 2D is simply using only a single camera's > viewpoint, rather than the two camera stereo effect. That didn't have an > impact on the aspect ratio. Thanks, Mark, very enlightening. I was aware that switching from 3D to 2D wouldn't affect the aspect ratio itself. However, I was wondering if in addition to that change Cameron had reframed the shots for home video. He's a big fan of doing that for the pan&scan transfers of his Super35 movies, and generally Imax features are composed in a way that works on a super-large screen but not on home video. I guess that isn't the case here, though. Joshua Zyber |
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#10 |
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"Joshua Zyber" <> wrote in message news:<d8thc.5127$ ink.net>...
> Did anyone see this in an Imax screening? Most Imax movies have a 4:3 > aspect ratio, but the DVD for this one is 16:9. > > A disclaimer before the movie states: "This film has been significantly > altered from its original 3D presentation. Many images have been > reformated for 2D viewing." I don't know whether that alteration just > means the switch from 3D to 2D or whether Cameron has reframed the shots > for home video as well. I saw the Imax/3D version, and was too busy watching the action to notice the aspect ratio, I'm afraid. I'm really glad I got a chance to see it in that format and took it. There were a couple of times where I really felt an urge to do that cliche reach-out-and-try-to-touch-the-image thing. Also, having gotten my open water SCUBA certification a couple of years ago made losing myself in this movie that much easier, I think. I am admittedly disappointed that they didn't try ANY sort of 3D for the DVD release. But I'm confident that any re-framing/alterations to the picture won't adversely affect the story being told. Since it's two disks for a shorter-than-most-features film, I'm really looking forward to all the extras that must be available. With any luck, a good 5.1 sound mix will help to remind me of the scope of my initial viewing. Dennis Dennis Kuhn |
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