My apologies for writing a longer post than I intended.
My "Is the Epson 2200 the way to go?" post opened a whole can of worms for
me. I read a review of the printer and have two concerns: bronzing on
glossy paper (I like glossy paper), and cost of ink. Though I'm strictly an
amateur photographer, I'm not a casual "snap shooter." I travel a lot and
do as-yet amateur video travelogues which frequently incorporate still
montages. Besides being used in the videos (and doing standard-duty in
photo albums), I like to make large, high-quality enlargements of my travel
shots.
I'm getting rid of my color darkroom in favor of an all-digital (my purchase
of a Canon 10d was the key -- I'm comfortable that digital finally
approaches chemical film in quality). I don't sell my work -- just put them
up in my house and office and give them to friends who say, "Hey, nice
picture!" I routinely print 16 x 20 in the darkroom. 13 x 19 is close
enough, so the sub-$1000 printers will do nicely. I'm not concerned with
archival-quality. Whether the print lasts 10 years or 100 years doesn't
matter to me. I won't be around for the latter end of the spectrum, and if
a print starts to fade, I can always reprint it.
Which brings me to my concerns:
From the review that I read, the Epson 2200 is the printer of choice IF
you're doing fine-art prints on, specifically, Epson matte paper. I don't
want to be restricted in my paper choices and, as I've mentioned, I prefer
glossy prints. I also don't want to be in a situation where each print
costs me more than the same print if I used my chemcial darkroom; if the
Epson inks and papers are too costly, I'll never hear the end of it from my
wife.

I understand that the Epson 2200 is also slow; I don't want to
spend 30 minutes waiting for a print to finish, when I can do a chemical
print in 10 minutes, though, I suppose, I can set up a print run at night
and wake in the morning to a stack of nice prints. Bronzing on glossy paper
is also an issue, though I read something that suggested that the problem
could be eliminated by using a UV protective spray (which probably isn't a
bad idea, anyway). Has anyone tried this? Does it work?
The Epson 1280 was suggested by some people. Unfortunatley, I haven't been
able to find any comparison reviews (I wish dpreview.com covered printers).
Evidently, it is older technology than the 2200, but uses dyes, rather than
pigment inks. Just how good is it? The 2200 review implied that prints
from the 1280 aren't as bright, sharp or saturated. Are we talking about
barely-perceivable differences, or is the quality difference significant?
I'm only concerned with image quality -- I want prints that equal what I do
in the darkroom. If the 1280 can do this, then it might be a better choice.
And how about HP's printers? I know they make wide-carriage ink jets. Are
these for photo work? Any good?
Price isn't the driving concern, and I'd rather not compromise on quality if
it just means saving a couple of hundred dollars (though the cost of the
Epson 2200 is about as much as I'm willing to spend).
I'd really appreciate it if anyone can direct me to comparison reviews of
these printers. I'd also very much like to hear from any advanced amateurs
(or pros) who can give me an objective evaluation of the printers,
particularly as compared to chemcial photographic prints. I'm grateful to
those who've responded to my first post, but I'm hoping for a little more
detail if possible.
And, in return, if anyone wants any advice about digital video, I'd be happy
to oblige.
Thanks!