Something related, but indirectly. I use Capture One DSLR LE with my Canon
EOS 10D. In it, I set Wide RGB as my workspace. I then convert my RAW images
to 16-bit TIFF's and load them into Photoshop 7.0.1 which also has Wide RGB
set as the work space. Now I set up a soft proof to see what the image will
look like if converted to Adobe RGB. I also turn on gamut warning, which is
set to a neon green so that out of gamut areas show up better. In many
cases, it appears Adobe RGB is unable to completely encompass the RAW color
output from my camera because I get warnings on highly saturated reds,
oranges, yellows, and greens (dark and light). Soft proofing sRGB is much
much worse, showing that lot's of out of gamut colors my camera can capture
will be lost if I were convert to sRGB. So I'm stuck debating which to use
as my work space; Adobe RGB or Wide Gamut. Logically, if I want to go truly
archival and make sure that I'm not losing any of the colors my camera can
produce, Wide RGB should be my choice. But I've also read that there can be
problems using this color space because it is so big. On the other hand,
I've also noticed that when working in Wide RGB and soft proofing for
printers like the Frontier and Noritsu, it says no colors are out of gamut,
meaning these printers can reproduce all the colors that are there. If I
knew more about color management, I'd probably make my own custom workspace
just for working on 10D files, but unfortunately I can't. So what say the
color management geeks based on the info I've presented? Wide RGB or Adobe
RGB?
By the way, if anyone is interested I found a cool site that let's you
upload profiles and compare them in 3D, all via the web browser and for
free:
http://www.iccview.de/index.htm